Last week Monday, I went to a theatre audition. I’ll spare you the suspense—I didn’t get it. But I ran into a few people I’d gotten to know since joining the industry, and one of them said to me, “I see you in, like, everything.”
If you’ve been around long enough, you might remember I had written and directed a short film called SIV, based on the short story I wrote (this is the original short story, and this is the sequel from which the short film was made), and which premiered earlier this year.
When I approached the counter of the Starbucks I’m currently writing this from, the barista, Michelle, greeted me by name. This Starbucks is across the city from where I live, so this was slightly concerning. However, it’s five minutes from Heritage Park where I’ve been going to rehearsal five times a week for the last two months.
When people find out I’m an actor, often the first question they ask is “Film or theatre?” I’ve always answered film because that’s been what I wanted to do since I first wanted to act, and more recently screen acting is the only kind I do. But like many actors, I got my start in theatre.
Mornings here in Calgary have been gloomy these last few days. I’ve noticed this because my room at my mom’s house hasn’t got curtains yet and the sun shines directly in my face, waking me up on non-gloomy mornings. These gloomy ones, however, I’m able to sleep through.
In November last year, I was lucky enough to play Hanna in Snowshoe & Monster, a webseries pilot for Telus Storyhive. We had three days and $10K to make the best pilot we could.
In February, the finished Snowshoe & Monster pilot came out and was one of two pilots chosen to make five more episodes with $50K.
I got my first-ever acting agent not too long ago, which was a big deal in of itself. But then yesterday, I found out I had an audition,